“Excellent.”
— IndieWire
“Perfection”
— Everything Theatre
“Mesmerising”
— Broadway Baby
“Epitomizes the spirit and ambition of this production...he has mystery and choreographic grace and playful wit in abundance together with a fine baritone, and a natural grip on the text...certainly a talent to look out for in the future.”
— British Theatre
“A commanding and charming presence...intense, watchable...a truly outstanding performance...worth seeing for him alone.”
— One Stop Arts
“Memorable...such a standout character that he almost dominates the production.”
— Stage Review
“Sinister...stalks the production...his scenes [...] sting with fresh cruelty.””
— Time Out
“Compelling...put me rather in mind of Heath Ledger’s turn as the Joker...dark, seductive and deliciously wicked”
— Tony Peters, SuSy Radio 103.4
“[A] true standout performance...sensational...magnetic...marvelous...unafraid””
— MTB
“The production really belongs to Sid Phoenix”
— UK Theatre Network
“Charismatic...haunting...one of the standout performances of the night.”
— MTR
“Magnificent”
— London at Large
“Stunning”
— Reviews Gate
“Brilliant”
— RageOffStage
“Superb...truly amazing acting”
— London Theatre 1
“Exceptional”
— GT Stage
“Admirable”
— The Stage
“Wonderful”
— Fringe Review
“Charismatic...original...particularly funny”
— Robert Tanitch, MT
“The highlight of the evening”
— The Beast's Pen
“Commands the stage”
— The London Magazine
“Touching”
— West End Frame
“Snakelike”
— The Times
“Endearing naivety and charm”
— A Younger Theatre
“Strong...debonair and decadent”
— Everything Theatre
“Louche and loquacious”
— Broadway World
“The most complete characterisation”
— British Theatre Guide
“An impressive performance”
— WOW247
“Great to watch”
— The Public Reviews
“Delightfully nervous and innocent”
— QX Magazine
“Slick, seductive and wry”
— GGC
“Smoothness and poise, even a loucheness”
— West End Wilma
“I was most affected and intrigued”
— West End Frame